Source of figures

I-1 Lara-Vinca Masini, “Art Nouveau”, London, 1984.

I-2 Maurice Rheims, Felipe Ferré, “Hector Guimard Architect”, Paris, 1985.

I-3 “The Museum of Modern Art, New York”, New York, 1984.

I-4 Benoit B. Mandelbro, “Fractal Geometry of Nature”, (Japanese edition, translated by Heisuke Hironaka etc., Nikkei Science, 1985).

I-5, 13,15,16,19; II-36,41; III-2,4～7,11～13,15～20,16～18; IV-1,3,10; IV-11,13～21 Toshimasa Sugimoto.

I-6 G.R. Collins, J. B.Nonell, “The Designs and Drawings of Antonio Gaudi”, Princeton, 1983.

I-7 Karl Ernst Osthaus, “Van de Velde”, Berlin, 1920.

I-8,9,11 Bruno Taut, “Der Weltbaumeister”, Hagen, 1920.

I-10 Hans M. Wingler, “Bauhaus”, Bramsche, 1962.

I-12 Denny Gulick, “Encounters with Chaos”, MacGraw-Hill Inc., 1992.

I-14 Alan Windsor, “Peter Behrens”, London, 1981.

I-17 Uwe Westphal, “The Bauhaus”, London, 1991.

I-18 Heinrich Kulka, “Adolf Loos”, Wien, 1979.

I-20 Arthur Drexler(ed.), “The Mies van der Rohe Archive, Volume One”,New York/London,1986.

I-21 Hartmut Probst, Christian Schädlich, “Walther Gropius”, Berlin, 1986.

II-1,2 “Le Corbusier”, Mainichi-Shinbun-Sha, 1996.

II-3 “Prag National Museum Collection – 500 Years of European Picture”, (catalogue of an exhibition in Japan, 1987).

II-4 H.Allen Brooks, “Le Corbusier”s Formative Years”, Chicago, 1997.

II-5 “Le Corbusier et Pierre Jeanneret - Oeuvre Complète 1910-1929”,Zurich, 1960(1937).

II-6 William J.R. Curtis, “Le Corbusier - Idea and Forms”, Oxford, 1986.

II-7,8 Esther da Costa Meyer, “The Works of Sant”Elia”, New Haven/London, 1995.

II-9 Larissa A. Zhadova, “Malevich”, Dresden, 1979.

II-10,21,22 Karl-Heinz Hüter, “Architektur in Berlin 1900-1933”, Dresden, 1987.

II-11～14 S.O. Chan-Magomedow, “Pioniere der sowjetische Architektur”, Wien, 1983.

II-15 John Milner, “Vladimir Tatlin and the Russian Avant-Garde”, Yale Univ., 1983.

II-16 Givanni Fanelli, “De Stijl”, Bari, 1983.

II-17 Nancy J. Troy, “The De Stijl Environment”, Cambridge, 1983.

II-18 Bauhaus Archiv, “Der Vorbildliche Architekt”, Berlin, 1986.

II-19 “Staatliche Bauhaus Weimar 1919-1923, Weimar/München, 1923”

II-20 Christine Engelmann, Christian Schädlich, “Die Bauhausbauten in Dessau”, Berlin, 1991.

II-23 Claude Schaidt, “Hannes Meyer”, Teufen AR, 1965.

II-24 Deutscher Werkbund(ed.), “Bau und Wohnung”, Stuttgart, 1927.

II-25 Leon Krier(ed.), “Albert Speer Architecture”, Bruxelles,1985.

II-26 Silvia Danesi, Luciano Patetta(ed.), “Il Rationalismo e l”Architettura in Italia durante il Fascismo”,Venezia, 1976.

II-27,28,30 Karl Fleig(ed.), “Alvar Aalto”, Zürich, 1963.

II-29 Lauterbach, Joedicke, “Hugo Häring”, Stuttgart, 1965.

II-31 Bernard Rudofsky, “Architecture Without Architects”, 1964 (Japanese tranlation by Takenobu Watanabe, Kajima Shuppankai, Tokyo, 1984).

II-32,33 “Aldo van Eyck projekten 1948-1961”, Groningen, 1981.

II-34,35; III-8 H. Ronner, S. Jhaveri, A. Vasella, “Louis I. Kahn - Complete Work 1935-74”, Zürich, 1977.

II-37 “Aldo van Eyck, projekten 1961-1976”, Groningen, 1983.

II-38 Alison Smithson(ed.), “Team 10”, (Japanese translation by Hideo Terada, Shokokusha, 1970)

II-39,12; 6-1 Heinrich Klotz, “Moderne und Postmoderne”, Braunschweig, 1984.

II-40,43 Heinrich Klotz, “Vision der Moderne”, München 1986.

III-3 “GA Doccument”, 2, Tokyo, 1980.

III-9 Vittorio Magnago Lampugnani, “Architektur und Städtebau des 20. Jahrhundert”, Stuttgart, 1980.

III-10 Peter Arnell, Ted Bickeford, “Aldo Rossi”, New York, 1985.

III-14 Heinrich Klotz(ed.), “O.M. Ungers”, Braunschweig/Wiesbaden, 1985.

III-21,22 “Neue Staatsgalerie und Kammertheater Stuttgart”, Stuttgart, 1984.

IV-2; IV-22 Toyo Ito.

IV-4 Yukio Futagawa(ed.), “Zaha M. Hadid”, GA Architects 5, Tokyo, 1986.

IV-5 “Kenchiku Bunka”, Shokokusha, 1995-12.

IV-6 Richard Weston, “Modernism”, London, 1996.

IV-7 Andreas Papadakis, “Theory + Experimentation”, London, 1993.

IV-8 Charles Jencks, “The Architecture of the Jamping Universe”, New York, 1995.

IV-9 Volker Fischer(ed.), “Frankfurt Rebstockpark: folding in time”, München, 1992.

IV-12 “El Croquis”

> BACK